Sunday morning re-installation of Bonneville Upstream.
My friend Jed arrives with his handy trailer. This will make 21 fish he has helped me install.
Jed backed his twisty little trailer all the way inside the shop, all in one smooth line from the street. Impressive! The upright 2×4 is his steering guide.
I levitate the triple group of trout while Jed backs the trailer underneath.
Trout settle down, making ready for the next group.
Safety Comes When Man says, “Attach the hoist before freeing the sculpture.”
My neighbor, Chris, drops in to lend a hand. The three of us removed the trout months ago after their auto/ichthyes incident, and we will also put them back in.
Lashing down frisky fish for a ride through Sugarhouse.
We’ll be moving upstream about a mile, and trout need to move upstream to breath. This should wake them up from their long dormancy in the studio.
The Bean Whole fish transport; fueled by Jed’s craft-roasted coffee.
The rest of the morning was up at the intersection of 2100 S 1300 E, with the long turn lane still closed for street construction. This gave us a nice safe space to park and work from. The City’s public art coordinator, Kat Nix, brought hardhats and safety jackets for the guys, and pitched in with the work. The director of Salt Lake City’s Arts Council, Felicia Baca, also stopped in, joking around at how I used to be her boss back when I ran Global Artways for the City. After Jed and I had dug out the holes and installed the paired group into concrete footings, Chris made a quick trip up to help us lift the triple group into position and slurry in the concrete. Everything went swimmingly, and the trout are happily in the current again.
On-site at the intersection in the closed left turn lane. The spot just in front of the oncoming car is where they will go.
We have loosed the fish from their tie-downs, and they are ready to leap into place.
Kat keeps on eye on them while I get the fish food.
Professional fish wranglers, like Lion Tamers of yesteryear, know the essential function of a bristling manly mustache when confronting The Wild.
The pair-group jumps right into place and gets their treats.
The triple group jumps next, sassing for treats.
Jed and I stand about while the concrete cures.
They are excited to be back out in public again, among the rushing cars.
Once the concrete sets, we spread the soil and ground cover so everything looks tidy.
Another good day of fishing.
Yesterday the pair received stainless poles, today the triple got theirs.
Today I levitated the pole into position with my mind. Why didn’t I think of that sooner?
Triple with double poles. Welding took a bit more knowhow today; filling gaps between the sculpture and the pole by building up wide platforms with fat bead on the sculpture, then switching style for a strong connection to the stainless- all with the same too skinny rod, and always in an awkward crouch that makes running the foot pedal tricky.
Hooray for the learning curve. This iteration of a mass heater weighs in at just over 100lbs, and took a day to create.
simplicity. Mold form is a plaster hardy-backer board that is an aspect of the form, rather than the previous pop-away mold form. An external frame holds the thin board in place and will absorb the liquid pressure against the form. The seams are sealed with drywall paste.
The stovepipe ends are added in with AL tape and drywall paste on the bottom, and a salvaged board with a routed hole holds the top pipe in-situ. AL vent pipe taped together makes an “S” in the stove, using two straight flexi pipe connected to the stove pipe ends, the straight flexis meet at a short flexi forming the bottom curve of the S.
The drywall screws poking into the interior will help anchor the walls and the aircrete. This is my maximum size possible with a 3’x5′ panel; 14″ x 36 “floor, 13″ x 14″ front/back, 16″ x 36” sides.
Two days of curing in 75 degree temps, an inch or two of shrinkage at the top- and so I poured an un-airated concrete & perlite backfilled with cured aircrete “stones” from the demo’d mass. This will make a nice hard top for the form, and I may grind it flat for a reveal of the red aircrete backfill stone and white bits of volcanic perlite.
Rolled up in the old rubber pond liner to retain moisture in the desert wind, and build heat for a better cure. This form I can easily move into the studio for the weekend snowstorm, and has about 1/4 of the footprint and 1/3 the weight of the demo’d mass- so the trip to the ranch will be easy. Now I just have to weld up the little bench it will sit on to align with the J-Stove.