Sunday doodles.

A funny part of stopping when you stop, and not fiddling with it: the “sword wound” to his ribcage is a shadow from the original sienna sketch-up.

I removed R her arm as it hung straight down, blocked out her entire side, and deadened the composition. She moved just enough to catch the contour of her ribcage. 5 min

Here again her arm was blocking out the curve of the back and thrust of the ribs. 5 min.

30 min. Turned wooden with over-fidgeting after the session. My instructor note to myself: work on shape definitions internal to the figure via direct marking of contoured shadow as an essential expression of form.

The conte / color drawings are done on an easel out in the sunroom looking at my laptop, and the pencil drawings are done in the basement cast to the TV- I draw them on a little clipboard held on my lap which means lots of looking down and up with my whole noggin vs looking in one field with eye movement only. Artists use easels for exactly this reason; zillions of quick side eye movements that instantly transfer to hand vs cumbersome head movement with up/down eye movement causing reorientation with every move. Flow gets stuttered and drawings lose vitality. I’ll have to crowd the basement den with my old drafting table, in from the too-cold studio.