While still up in MT Jann had thought maybe I could create a big version of my rough tri-color Collie, Nora. When I returned to SLC Jann told me she had put Nora on the mural list, so to really make her. I liked the collage process, so after I finished Beckanne I drew up Nora to scale and banged out the collage. At this point I thought I was done. I had been working flat and this was the first time I’d hung it on the wall. I reworked her eyes, delineating the orbits which helped clarify her personality- not pictured.
Both Nora and Beckanne will be digitally photographed and the entire mural of more than 200 people. They will be oddballs, as most are done in a “street art” method of 2-toning a photograph and making stencils to spray paint. All figures and portraits are then arranged as digital tiles, then it will all be printed out as an enormous banner and affixed to a building exterior here in SLC. The theme is a celebration of SLC women through history.
My friend Jann Haworth is leading a group-made mural (over 200 people involved). Years ago I helped get another group mural of hers in SLC started (when I was director of SLC’s youth arts programming), and did 5 figures on it: SLC Pepper. It was a re-imagination/update of her grammy award winning album cover for The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band. Jann asked me to make one of the large figures for the front row of the new mural. I drew it out while in Montana at 2/3 life size, then had Kinko’s enlarge it to the mural jumbo scale.
I just realized I did more work on her after this shoot, but anyway…Jann tells me it is “pure witchcraft”.
Sunday morning re-installation of Bonneville Upstream.
The rest of the morning was up at the intersection of 2100 S 1300 E, with the long turn lane still closed for street construction. This gave us a nice safe space to park and work from. The City’s public art coordinator, Kat Nix, brought hardhats and safety jackets for the guys, and pitched in with the work. The director of Salt Lake City’s Arts Council, Felicia Baca, also stopped in, joking around at how I used to be her boss back when I ran Global Artways for the City. After Jed and I had dug out the holes and installed the paired group into concrete footings, Chris made a quick trip up to help us lift the triple group into position and slurry in the concrete. Everything went swimmingly, and the trout are happily in the current again.
The trout are all finished out. When last we saw them, they were undergoing reconstructive surgery from their car attack. Since then I set a new cold patina to etch and seal the naked bronze, then went about color matching. They are all dolled up with patina renewed, and the entire form cleaned and waxed. When their sister pair is released from police evidence, I’ll finish out that set, then add new stainless steel mounting poles to both sets.
Triple digit heat finally let off today, allowing triple trout triage. The double trout set is still held as evidence in the City’s court proceedings with the driver that smashed into them, but I thought I’d get started on the big triple group. The car had slid up and over the front fish of the group, gouging in many deep lines along both sides of the fish and worse, pushing a big running dent.