Archive

Studio Art

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Weld and Chase complete.

The Ibis is now ready for the watergate. I thought I had a solution in the works with a professional watergate manufacturer wanting to make the gate aspect, but it looks like it will be up to me. That idea cost me a month waiting for a bid, but luckily this project isn’t due ’til April.

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Thinking about how nice it will be to have a watergate body one day.

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Legs can’t really think for themselves, or contemplate the future.

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Broze Ibis & Proto-Ibis

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The Watergate Scandal: A local manufacturer specializing in water gates said they loved the idea and would be able to create the watergate cheaply out of spare bits since it won’t have to hold water. They were surprised when I asked for a bid, as they just wanted to get started.  A month later their bid: $3,400 and asking for a go-ahead to get started on their 2.5 month process. Nutz. Next week begins a return to plan “A” of buying a brand name gate for $860 and adding some DangerHart mods. 

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Lantana at full power.

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Lantana anchors the porch and brings in Hummingbirds.

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Can almost see these in Hummingbird ultraviolet sight.

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Fall Asters holding on to purple, as the huge hummingbird bush flares out.

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Deep field Hubble view.

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30 quail in the yard; 2 of ’em on the roof with some of the zillions of LBJ’s below.

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Nora’s safe space from the cats. They are everywhere and nowhere, ready to pounce!

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Garage Sale Kennedy Rocker; 6 hours of refinishing later.

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Her cane backing and seat had rotted away, so “before” was $10 at a yard sale.

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Oak comes back to life with persistence.

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Next I order in 3 hanks of Binder Cane and a how-to manual for Porch Weave.

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$5, same yard sale. This one lived inside so just needed gorilla glue and light refinishing.

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Perfect Elizabeth-sized chair. And with a steam-bent back!

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$7, same yard sale. She was so loosey goosey that she nearly didn’t make it out of their yard intact, as a large old fella tried her out and she nearly folded.

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Three warped little boards running parallel tried to capture all the seat runners, failing at that while providing no structural support. They came off and it got the Danger treatment.Multiple old fellers could rest easy. Walt, your long rail clamps helped pull her in tight for her triage.

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I shifted her from ruddy black to Mountain Blue, for porch-sittin’ in Montana on Bluebird patrol.

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Also, I created silicon mother molds with plaster backing molds of the Ibis. Tomorrow I take them to the foundry for wax pour, then I’ll bring them back to chase out the wax.

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Wax gets slurried in down the hole, rolled around and poured back out. This is done layer on layer until at a uniform thickness of about 1/8 inch. It takes about 2 hours, as there is a lot of waiting for the wax to cool.

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Broad Canyon Fire. 24″x48″  Acrylic

This image is way off, yet it links to facebook with all the colors correct and it is correct in the blog upload library. All other versions I’ve brought into the library are similarly off when selected for display. For one, the sun should be glowing crimson; and everything else you can guess is way off from there. Second- blurry / vaseline smeared. Hardly worth putting it up.

Version 2

Bluebirding Storm on easel.

On a late afternoon bluebird house expedition (house is just left of center) this storm brewed up over the mountains and shot out a large arm reaching over the ranch to blot out the sun. Rain misted the air under the vast arm turning the sky beneath it a brilliant gold, while a premature twilight of the cloud’s shadow swept the landscape. The breeze fell away and the stillness was broken by the booming of thunder resonating from beyond the horizon.

It was a landscape that challenged me to paint the mood of it, and after spinning in pre-art miasma for a few weeks I finally toughened up and got to painting. The painting is in acrylic and 12″x48″, a new format for my work as my new camera has a panoramic feature. This brings a whole new challenge, as the light changes dramatically across the expanse.

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Bluebirding Storm

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Collage from circle die-cuts and scissors of bulls fighting in a corral; derived from a 1998 photo taken while on the Montana Angus Tour representing my father’s purebred outfit, Alpine Meadows Angus. The color transfer is a bit dull, and the focus soft- the weirding of digital images across platforms.

The sunroom is now cool enough during the day to allow painting to begin, so I thought I’d procrastinate on painting by finish out this collage. E was the engine behind getting this one started; she has wanted me to paint this image for years, as it has been up on my art’n wall forever. She suggested we collage it and pushed past my art-entropy malaise. We ducked out into the studio on weekends during the worst July heat, then brought it down to the basement to round out the Olympics. Collage is a great team art project where she sorts out all the color options then uses the die-cuts to amass shapes from the colors we select. We also tag-team on gluing; once I know where a piece will go, she paints the glue on the back of the piece and I lay it in. This keeps the meticulous pace moving at a rate that is actually bearable. Usually we work Non-Referentially, or what is commonly mislabeled as Abstraction. This image IS an Abstraction, where I drew out the image and laid in the shapes that referred to actual forms; a pair of bulls fighting I photographed 18 years ago. It is the first time we have gone Abstract with our collage efforts.

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Sequential Casting of Peter, long unfinished with an arm lost during casting- gets a new arm!

Marble arm prosthetic for the bronze figure. I wasn’t sure if it would work, but he says it feels almost normal. He is contemplating whether he wants a Marble foot as well.

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The new arm is cast in Marble. 

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The marble to bronze fitting took quite a bit of fussing. A casting window on the ball is filled with Marble as well.

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Part of both hands and a section of the ball were also seamed in place.

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A casting window on the calf gets a Marble plug.

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The shined bronze is from fitting the stone; another process mark.

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Meanwhile; Spring.

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Tulips at the edge of Iris.

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Morning Glory Natural Bridge. Acrylic on board. 32″x49″ 2015 (with some final tweaks yesterday)

After nearly a year of hanging on the wall, problem areas and fixes amassed and I set up the easel and went back into it. Now the yellow wall on the L recedes from the central bridge, the central form of the tree is warmed a bit tying it to the sandstone as it had drifted too far into the realm of the sky, and subtle tweaks to how the stone forms meet the edge of the picture plane at the top of the composition to project the mass out and overhead. Also, I wanted to reshoot it with my new/used camera: a Sony NEX-7. My old first digital camera (2007) was killed by the airlines on the flight to KS for Xmas, and Wichita has a great used camera store= Santa-self says: Merry Xmas art nerd, now you can take great pictures of your mediocre little hobby.